Even if roleplay is cursory, to start off on the best of your ability, consider creating a social media strategy that works for you optimally. Hypefury has a few suggestions.
There is a key to create SMART goals that can be measured. One idea to consider in the SMART system is if you WANT to do it. If you do not want to do it, then don’t.
What is your target audience. It cannot be broad. It must be honed in and the only way to understand your audience is deciding your research.
While reach and engagement is very important in social media, for roleplay there is a watching factor that inherently occurs with each performance and the more in character you maintain. Out of character discussion, while simpler in concept have to be maintained. Roleplay if staged must be organized for effectiveness. Nevertheless, metrics are important for business related posts, no so much for hobbies. And yes, vanity metrics, such as likes and followers mean nothing overall.
Have engaging content. Posting several different concepts in life is confusing to your followers. Posting consistent content sets your expertise for the social media you want. Then content should be a balance between content text and images. A picture is worth 1000 words. Some pictures are utterly controversial, not because of nudity, but because someone, somewhere, disagrees about the content and they want to make their point known. Links that post images are the most useful. Without that image, the text goes unread. Videos and gifs work better.
Social media calendars are essential for specific campaigns for roleplayers. Discussing overall your expertise is a good thing, but directing dates and times of your posts to optimize the interaction with the audience is what you use your social media metrics for.
The issue with strict RP accounts is there is a time where there lots of interaction, then there is a long lull period. Lost of interaction period is when the new content is released. Use your calendar for estimating the concept of that. Use holidays. Prepare featured product releases. All podcasts and video releases. Think about how you are going to lead your audience and persuade them to your ideas of your expertise. Be prepared for hecklers because there is always a schism. Have a plan for that. The lull periods should be used for all your ideas being written somewhere on a blog, or site, etc. Your audience can be referred to your sites that go in depth. Then you can charge for more exclusive information.
Roleplay to the Star Wars Actors Guild 77 (SWAG77) means an outline and script written to perform on social media. Portrayal of a character is NOT roleplay to SWAG77. Portrayal is fun to do, but it does lead to wasted social media time. If all someone wants to do is distraction, shoot the breeze, piddle about, meaningless conversation, and/or trying to make friends you have never met, okay. Define what you want. But if you ever seen our roleplays, they are incredible. Lots of people wake up and watch. But it takes a lot of planning and practice.
Star Wars Rebels Trailer screen grab CR: Disney XD
Star Wars Rebels Trailer screen grab CR: Disney XD
In the 1982 movie, Time Bandits, there is a “Map of Creation” that anyone who has the map can move through time and interact with the people, take items of interest and store it. The villain, “Evil” wants to take the map and end time.
The link between Star Wars, Mortis Trilogy and Time Bandits is now “time movement” is the Force, and the Mortis deities created it. The Map is not physical but experiential — by experiencing the Force and what it has to offer from the past, present and future, a Force user can move through time, to interact with people, take items of interest and store them. The villain is the “Dark Side” but more about “wasting time” than ending it.
In Time Bandits, a former Beatle sang a song Dream Away:
Get yours here: https://geo.itunes.apple.com/us/album/dream-away/714879295?i=714879642&mt=1&app=music&itscg=30200&itsct=afftoolset_1&at=11lIDW
As for the movie: http://amzn.to/2FVB9I1
To watch the Mortis Trilogy from season 3 of Star Wars: The Clone Wars: http://amzn.to/2mVeva2
To watch Star Wars Rebels Season 4: http://amzn.to/2DScdQZ
Fan art is something to behold, especially when it is in our fandomverse. And attribution is a good thing. It is upon the kindness of the sharing party to provide decent attribution from the shared art. But it is not MANDATORY and DEMANDING IT IS FUCKED UP!
Artists are taking forms they did not create and using their talents to create derivatives with their skill. Their skills COST, and that should be what is important and remunerated and by our group, we respect it. But the final completion of the art of a derivative work that the artist does NOT own the intellectual property license nor has approval from Lucasfilm to create, is NOT — NOT what needs to be attributed by law.
You can go to court to demand copyright, but you don’t own the license. You created the work out of the kindness of your heart. That’s just the final artform work.
Here is Disney Lucasfilm’s legal framework that our parent company, Ariafya LLC follows (source):
Our long-standing company policy does not allow us to accept or consider unsolicited creative ideas, suggestions or materials. In connection with anything you submit to us – whether or not solicited by us – you agree that creative ideas, suggestions or other materials you submit are not being made in confidence or trust and that no confidential or fiduciary relationship is intended or created between you and us in any way, and that you have no expectation of review, compensation or consideration of any type.
THE SKILL OF THE ARTIST IS NOT IN QUESTION HERE!
Should you want Disney Lucasfilm to consider your work as an artist or an author, you have to take the RISK to get your name out there. Do what it takes to get noticed by the fandom. PARTICIPATE IN THEIR ACTIVITIES! NETWORK! Don’t massively bad-mouth Disney Lucasfilm and their products.
Inside tracks and knowing someone on the inside is fine and a plus, but Disney is still a corporate entity that wants professionals in its repertoire. They want professionals to KNOW how to play the game and will not freeze up when it is crunch time. Disney is the big league.
If you are yelling and trolling fans for not attributing your work on social media sites, like Tumblr, then you are pathetic and not in the big leagues. No one stole your work, your game in PROMOTION of your work was sloppy and pathetic in this day and age of social media. So it would behoove you to learn this business, first.
If you are going to POST your work ANYWHERE online before the public eye, then you need a business plan of fandom social media engagement and reaction. Yelling at fans or trolling them is going to get you hated. Trolling is not Fandom.
I am not a visual artist. But I do have an official business license and I know how to work social media well enough to get my work where I need it and with commercial support. And yes, I will ask what’s in it for me because I do business, not placating sensitivities. This is not about someone’s emotional instabilities, this is adulting and there are things I have to do in order to complete my project goals that I have set for my needs in a timely manner.
You want to make friends on social media, join a dating app.
You want to take your art to the big leagues, that’s what I’m all about…
Fandom is many things. Being entrenched in it, and “Star Warsing” everyday can cause psychological problems as manifested online. We are not talking about having false dichotomies of “Han Shot” questions, we’re talking about when reality is enmeshed with a fictional world to create a delusion based on fantasy that hurts and bullies people on social media.
That is an a unhealthy fandom.
Health fandom is buying the books, watching the movies and TV shows, talking about the plots, reviewing the episodes on blogs and podcasts, cosplay, writing rational fan-fictions that had minimal self-insertions or wish-fulfillment, and roleplaying a character the way the character is manifested through reading research and actor’s and production interviews.
Here at the Star Wars Actors Guild 77 we have seen everything.
It’s fine to crackship, but keep it in perspective. It’s not going to be real. Don’t put your hopes over the top by bashing other fans. A crackship is a relationship between two characters that may be romantic/sexual in nature that would never have the opportunity to meet.
It is fine to speculate and write “metas”. But it should be grounded in the Star Wars literature — ALL THE STAR WARS LITERATURE that also includes Legends. Just because it is no longer canon does not mean that it is no longer valid to examine or interrogate, analytically. Metas are written points of view of how a story should be told and why.
It is not so much that we don’t like alternative points of view or alternate universes to Star Wars, it’s the authoritarian arrogance we hate that does not allow a fan to make choices themselves about what they choose to believe. Our opinions are based on the books, chapter and passage. If the book agrees, then we will go from there.
What we see in some Star Wars fans is they make up and pass off a flim flam to unsuspecting fans who don’t know what is true or what to do. When their false promises fail, these conned fans come to us. We have to re-educate them with facts: Star Wars Books.
We have also seen a heavy duty sexual component passed off to underage children in podcasts, which uses profanity and misogyny to describe characters. That is not Star Wars fandom. Bigotry, racism, sexism, Antisemitism, anti-Muslim, and rape culture is NOT TRAITS of Star Wars fans. Most of that podcast made too many false connotations in red herring logic as a causation to justify a hate logic. That is not fandom. That is spending too much time irrationally against people to justify hatred online and on social media.
The goal of Star Wars fans is to ENJOY Star Wars. Not HATE the content creators and do things to other fans to shame them and get their accounts suspended on social media. If that’s the kind of fandom desired, then Star Wars Actors Guild 77 and its band of pages and campaign is NOT desired.
What is going on is a diagnosis: Narcissistic psychosis.
The cure: Ghosting by blocking all access nodes
The treatment: Playing the gray rock to protect the hate onslaught a narcissist in a psychopathic episode on social media is suffering.
No response, just block.
The best way to think about is there are over 10s – 100 million on Facebook, Twitter, Tumblr, etc. You do not need drama from a few accounts that block that fulfill. Sorry. That’s the way one needs to think about it.
The Force has facets to it like the crystals of a lightsaber. Imperfect, blemished, clarity, cut, karat, etc. The two most familiar facets are the Light Side of the Force and the dark side. The Force is all the same one piece, that binds us and holds us together in the galaxy, according to the old Obi-Wan Kenobi Jedi Master adage.
In Star Wars Rebels season 3, those facets of a crystal will shatter and the shards will scatter like sand on a beach, since most crystals are smaller components to rock and sand.
The Star Wars Show on Youtube shows a clip of Star Wars Rebels season 3 at ~3:30 minutes. It shows what it is like before the crystal breaks through the Force.
Crystals used in the Force are responsive to the Force, and emotion of the user. The crystal and the Force user connect and share some type of bond, though imperfect. How does a rock bond to a human being? A sentient being? Life?
The basis of most life is the firmament or the soil that requires key components and nutrients to grow all other life. With a diurnal variation, oxygen and water, life will grow in a season. Seasons can vary from long to short, but the point them is to have a time to exist and then there is change. The only reliable thing about life that everyone can count on is that it changes, then it dies, which is a change.
During the time of Star Wars Rebels, they are finding what their eutectic point is as young people. Things must die so that new life can be born and evolution takes place. People can think that is not fair, and game the system and many characters do in Star Wars, but the Force is an act of nature and is fickle about its domination. It shifts like the eddies of a tiny brook to a tumultuous wave.
The key is, let the Force flow…
FYI: All this is being said because Ezra’s lightsaber (visit him on Facebook) is green and where did he get the crystal? It looks like Kanan’s but it doesn’t seem like it is from him.
To understand more about the esoteric Force, read this Star Wars Legends book.
There is a natural way to detect a Force user by another Force user. Kylo Ren pressed a Force Reflex Nub in Rey’s brain where consciousness resides and it triggered her ability to defend herself. It was an involuntary defense mechanism maintained by EVERY Force-sensitive being and they push back violently against an intruder.
This protection mechanism that is in every Force sensitive suggests that users CHOOSE to join the dark side.
Potential New Story Arc Rationale To Get Thrawn In Star Wars Rebels.
Grand Admiral Thrawn is one of the most prolific villains in Star Wars Legends and he should be re-canonized into the new movies and televisions shows. Created by Timothy Zahn in the “Heir to the Empire” novel trilogy, THRAWN has appeared in several novels and comics, but not in the movies and television shows.
In the Get Thrawn In Star Wars Rebels campaign, we must prove to the Disney Lucasfilm about the stories that can be told about Grand Admiral Thrawn in the timeline of Star Wars Rebels. We have to show that this character’s story arcs are consistent with the Star Wars Rebels theme for the show. We the fans, must set this up for them beyond letter-writing and demands. We have to have fun with is process. “This is where the fun begins.”
Our concept for new stories needs to show the rationale for the presence of a male Chiss species in the Empire.
What are Chiss? Chiss are humanoid species from the “Unknown Regions” of the galaxy – the part of the galaxy that was not been fully mapped. Chiss are a spacefaring race with low-level hyperdrive technology – their ships do not hyperdrives like the Star Destroyers, but their ships are handle better in aerial battle. Their colonized area of space called the Chiss Ascendancy.
Highly unique aspects of the Chiss are:
May be a human-offshoot species that its early progenitors were lost in a hibernation space-travel experiment thousands of years ago. After millennia, these “humans” adapted to their planetary environment and appear as Chiss, the blue skin and red eyes with red sclera.
Their genetic divergence helps them work in sparse food and predatory environments.
This ability makes them extremely intelligent with strategic and tactical abilities. Their military logic and strategy are unparalleled.
Their abilities are without the use of the Force. While some Chiss were Force Sensitive, their culture had no need for Force using organizations like the Jedi or the Sith, because it was purposeless in their cultural dynamic. If the members had it, they rarely used the ability, because they rarely acted on their emotion like humans who tend to be emotionally unstable (Darth Plagueis, pp 200).
Chiss are probably taught at an early age overcome emotional disabilities from a cultural perspective. That skill had a deleterious effect that causes situations not handled to gurgle into madness, which is seems to have happened to Grand Admiral Thrawn or as the Chiss would call him: Mitth’raw’nuruodo. He is aggressive and combative in the protection the Chiss Ascendency. The Aristocra, or ruling families, would not permit his actions to go unpunished despite any attack that may have occurred. He was placed on the outskirts of the Chiss space with his Chiss Expansionary Defense Fleet to learn any threats to Chiss space. For a long time, there were no battles, until the slavers called Vagaari were racing away from a completely unknown species with huge biological ships (which was later learned to be the Yuuzhan Vong, which did pose as a huge threat on the galaxy). But, by the time his team investigated, he met members of the Republic in 27 BBY and his fleet was able to beat, Trade Federation Droid ships with strategy in aerial battles. (Outbound Flight, pp 266).
Story Arc Rationale
Before Order 66, the Jedi were negotiators and keepers of the peace. They used the Light Side of the Force to keep various species from war and negotiate whatever would bring beings together. However, the Jedi were seen more as a nuisance and had become selective in what they negotiated. The Battle at Naboo was seen by many outsiders as the Jedi infiltrating and forcing their point of view. One theory as to why some people hated the Jedi is because of that selectivity that harms the other group that may be protecting themselves (Ars Technica, 2010). Jedi are supposed to be apolitical and not intervene in territorial disputes, but many people saw them as an imposing force. While most of those individuals were often criminals, it does not mean that forces that could match the Jedi’s, like the Sith would not use that cover story as their basis to sway the body politic.
When the Jedi were slaughtered after Order 66 and Operation Knightfall was active with Darth Vader at the helm, the newly created Empire and its Imperial Military were of the last vestiges of the Republic. Emperor Palpatine (Darth Sidious), and Darth Vader as Sith Lords were not going to let years of hard work be defeated by an incompetent military. (The Rise of Lord Vader, 2011)
Several tactics were used to make the citizens of the Empire that Palpatine, Darth Vader and to some extent, Governor Tarkin had their best interest:
Protection was one of them. Several planets left from the Clone Wars had been devastated, the Empire would bring in their resources, and take away all that they needed, then leave the planets desolate. Groups of beings had to decide how to move forward. (A New Dawn, 2015 and Servants of the Empire, 2015).
Another one was propaganda to find all “evil” Jedi, that they said betrayed the Republic and the Jedi Hunters brought them to trial, and of course executed. (The Force Unleashed 1 and Star Wars Rebels Season 1). That was when sparks of Rebellion started from groups of beings that knew that it was untrue about the Jedi. The Empire had to battle non-Force users who believed in the Jedi and doubted the Empire.
The Empire used fear to bring any citizens into submission as seen in Star Wars Rebels, Call to Action Episode 11 where Grand Moff Tarkin destroyed a perfectly usable communications tower to break the morale of these “Rebels”. Then in the “Siege on Lothal” Episode 1 Season 2, where Darth Vader ordered the burning of “Tarkintown” to unleash the emotions of the Rebels. Fear is used against the Jedi because the Jedi feel all that pain and hurt through the Force, and they cannot stop the emotional scars it causes them unless they turn to the dark side. And while dark side users feel these same scars, they tend to relish in the pain like masochists and the sadist havoc they wreck on the galaxy. They will continue this psychopathy they are stopped. Most of the time, it takes more than one Jedi alone to stop such a destructive force.
Then the Imperials use a more insidious idea that breaks people’s spirits called, “High Human Culture” or Star Wars Bigotry and Racism. It is well known throughout the Star Wars Legends literature that the Imperials only liked humans. Aliens were disgusting to them. Near-humans and humanoids were acceptable to a point, but for high ranks they were not admitted, except to the Inquisitors – but one must have the Force in order to be a member of the Inquisitors (why aliens were always thought to have Force powers is a different question). Most beings in the galaxy did not have the Force, therefore, they were under the constraints of Imperial discrimination. This idea of bigotry and hatred, called speciesism, seems to have a profound effect on morale. Emperor Palpatine knew it well, and had to assuage these powers, because Sith, could also be viewed as alien.
What would Emperor Palpatine’s plan be to attenuate that much bigotry manifested in human Imperials?
The Get Thrawn In Star Wars Rebels campaign story arc design is to address the speciesism maintained by the human components as Imperials. In short, Emperor Palpatine acquiesces to the last vestiges of the Alien beings that were once part of the Republic that demanded representation. In a “token affirmative action” manner, he advances a Chiss, THRAWN to a high-level position in Imperial rank. Meanwhile Darth Vader is committing genocide on several planets, like Kashyyyk on the Wookiees (Rise of Darth Vader, 2011 and The Force Unleashed 1). Emperor Palpatine can still have his favorite son, Darth Vader, rule the galaxy, but, Palpatine must show the diversity of aliens who question the competence of these sector Moffs led by Governor Tarkin who were overwhelmingly human (Tarkin, 2015).
Moreover, Palpatine has to appease the Mandalorians, because the only way to defeat the Mandalorians is wholesale destruction of all their planets. While most Mandalorians are human, some are aliens and the the ones who are human may have tiny amounts of “Taung DNA” that renders them resistant to the powers of Force manipulation. This incident is much like other alien species, like the Yinchorri. Apparently, this resistance was evolutionarily conserved and developed as a biological protection against Force users (Darth Plagueis, pp 250). For whatever reason, during the Rise of the Empire era, the Sith do not mount a huge overrun of Mandalorians, much it was in the Old Republic wars with Darth Revan and the actions on Malachor V thousands of years earlier (KOTOR and SWTOR).
But having a non-Force user (Force blind) individual that is very smart, a strategist and cunning, would enhance the goals of Emperor Palpatine. Moreover to leave an heir to the daily operations of the Empire. Someone had to rein in Grand Moff Tarkin sudden jump in expenses for some random large weapons project with cost overruns from blowing zetamillions of credits. To have any opposing force to discover the built without a single test, would be devestating. Someone who is realistic and pragmatic that can look at intricate designs like a piece of art and tell Palpatine the truth of this design…called…the Death Star (read our example).
Who other than THRAWN to do that? He can outwit and outmaneuver the Rebels who attempt to destroy Emperor Palpatine’s grand plan for the galaxy. He is the only one with experience with the extra-galactic threat where the individuals are absent in the Force, called the Yuuzhan Vong.
Of course, the Star Wars Legends material will be eliminated or retroactively continued (retconned), but still, we have the justification we need as to why THRAWN should be in Rebels.
The question now is how?
We need assistance on that front. If interested, please join the planning group. It will be active until the new movie, Star Wars The Force Awakens airs.
You know, when you see roleplays (RPs) by less than serious Star Wars fans that godmod and attempt to add elements from different Universes? They are a multi-verse RPer, which is okay if you want to do that, but then these same di’kuts attempt to dominate the entire landscape of RP on the social media platform, which makes integrity to Star Wars content lax? Don’t you hate those kind of newbies?
Then you try to “argue” with them about not adding elements from other movies or verses that cannot be justified in the current Star Wars verses and they throw up in your face about the recent developments by Lucasfilm and what they did with the Star Wars Expanded Universe canon. How do you argue that?
You don’t argue canon vs non-canon. You don’t argue element additions from different verses. What you do is use business like I taught you on The Cost of Star Wars FandomFacebook page.
Your primary allegiance should be to Star Wars and the Force – if you call yourself a legitimate Star Wars fansite. If you are a multi-verse fansite, your application to RP and all performances and business attributes are different.
Most good writers KNOW the difference and they know when they add new and creative attributes to the Star Wars story it is based on their creative writing training and reading – A LOT OF MATERIAL, including the Star Wars Expanded Universe (SWEU). Since eliminating the SWEU was purely a business decision – and it was – the conversation about Star Wars story arcs and scripts has to be from a BUSINESS perspective.
The movie, Stargate was created in 1994 by Metro-Golden-Meyer and Carolco. The creators were Roland Emmerich and Dean Devlin. It amassed $200 million over time, worldwide. In May 29, 2014 Warner Bros and MGM announced they will re-boot the movie with the same creators.
We all know about Star Wars and how it was done — you should if you call yourself a Star Wars fan running a Star Wars fansite. If not, if you suggest an element from another verse, it is COPYRIGHT INFRINGEMENT!
The story element of a Stargate makes little sense in Star Wars. Why would a Stargate be needed for wormhole travel? Why not a ship like Star Trek using a natural anomaly? OR IF YOU READ A STAR WARS BOOK: Wormhole or Time Travel THROUGH THE FORCE DID NOT REQUIRE A SHIP! But you wouldn’t know that since you failed to read the SWEU! Because if you DID, you would say idiotic stuff about a Stargate.
What Star Wars character created a wormhole in space? Hmm? Guess you wouldn’t know that either.
Not to mention stealing Warner Bros and MGM’s intellectual property trumping any creative enterprise of Disney Lucasfilm. Good going for the home team, traitor!